Mic Choice and Techniques for Live Sound

Live sound venues and events can be a chaotic environment where things that seem to work just fine in one place don’t work at all the next night in another venue (or ten minutes after sound check in the same venue). Having a number of microphones and techniques for using them in your bag of tricks can prevent a whole lot of panic when you need immediate solutions.

The overall goals of miking techniques for live sound are easy enough to understand: get a good sound on the source that you’re miking, avoid picking up other sound sources in close proximity and prevent feedback. Sounds simple, doesn’t it? It turns out that choosing and using microphones is both an art and a science that can take years to fully master. Here are a few tips to get you started.

Choosing the Right Mics
Choosing microphones for live sound has different criteria than that you’d use for studio recording. Your first big choice is the main classes of microphone types: dynamic versus condenser. Dynamic mics are more rugged and more likely to handle the rigors of live use. They also handle higher SPL (sound pressure level, a.k.a. the loudness of the signal) better than condenser mics. However, condenser mics as a whole provide a much higher degree of sensitivity and fidelity to the original signal, along with extended high-frequency response.

The most classic live sound reinforcement microphones are the Shure SM58 and SM57. Used on everything from lead vocals to snare drums to guitar amplifier cabinets, nearly every venue, live band, and touring company has a good number of these relatively inexpensive, reliable tools for live sound.

Giving Direction
Each microphone has a specific sensitivity to sound coming from various directions, known as the mic’s polar pattern. In most mics, this is permanently built into its design, while in others, different types of directionality can be selected on the microphone itself.

The main types are omnidirectional (which pick up sound equally in a 360-degree radius) and unidirectional (which pick up sounds from certain directions while rejecting others). These mics have polar patterns like cardioid, super-cardioid and hyper-cardioid. This can be tremendously useful in a stage setting. Let’s say you’re miking a horn section, but the guitar amp is nearby. Simply using a mic with a cardioid polar pattern instead of an omni mic will help reject the guitar from bleeding into the horn signal.

This graphic, courtesy of Shure, shows a 3-D representation of omni, cardioid, and hypercardioid polar patterns. You can see the direction from where each pattern picks up and rejects signals.

Pad It Down, Roll It Off
Some mics have a built-in attenuator (“pad”) that allows you to instantly lower the signal by a preset amount, which is handy when dealing with loud sources like kick drum. Some mics may also have a low-frequency filter which helps to reduce the inevitable background noises—feet stomping on stages, wind, audience sounds and more. Pads and filters can really come in handy in a live setting.

Danger Zones
There are some common problems in live sound that are based on the way you use microphones. One is proximity effect, where a mic behaves differently when positioned very close to the source. When you do a sound check with lead singers, make sure they are using the mic just as they do during the performance.

Another caution area is using multiple mics. Unless you have a good understanding of mic placement, you may run into audible issues like phase cancellation and comb filtering. Problems generally occur when two or more mics are placed on the same source at different distances. Use only the mics you need. Learn the “3-to-1 rule,” which says that the distance between the mics should be three times the distance to the source.

General Good Ideas
First, never point a microphone in the direction of a PA or monitor speaker, which is the fastest way to cause feedback. Second, use directional microphones whenever possible, since you can orient them toward the source, helping to get a good signal, reject leakage from other sound sources and avoid feedback.

Perhaps the most important concept for live sound miking is that even a slight repositioning of a microphone can make a big difference. Don’t be afraid to experiment by moving the mics slightly to solve issues.

Quick Mic Choice and Technique Guide

Vocals: Dynamic mics are still the most popular choice here, and there are a wide variety of impressive handheld vocal mics from manufacturers like Sennheiser, Neumann, Electro-Voice, Beyerdynamic, Audix and Blue, in addition to the ubiquitous Shure SM58. Since every vocalist's voice and mic technique is different, it's good to keep a variety of mics available.

Some live sound vocal mics include the Beyerdynamic TG V96c, Sennheiser e965, Shure KSM8, Audix OM11, Blue enCORE 300, and Electro-Voice RE16.

Drums: While kits can be miked effectively with as few as three mics, you'll get better control over the overall sound with a pair of condenser mics as overheads, and closely placed dynamic mics for the rest of the kit. The kick drum needs a mic that can stand up to very high SPL. The snare mic is the one most likely to be inadvertently hit by the drummer, so make sure it's something especially sturdy, like a Shure SM57. Usually the snare mic picks up enough of the high hat, but you can supplement that with a small-diaphragm condenser for extra sizzle.

Choices in drum mics include kick drum mics like the AKG D12VR and the Heil PR48. A longtime go-to mic for toms is the Sennheiser MD421.

Some snare and tom microphones can be easily mounted to the drum shell or other convenient attachment point, like the Sennheiser e604, CAD TSM411, Audix D2, snd Audio-Technica ATM230.

Guitars: For electric guitars, a unidirectional dynamic mic placed 1–4" from the grill is standard. Close to the center of the cone gives you more highs, and you can mellow a "spiky" amp by moving the mic towards the edge of the speaker or using a modern, sturdy ribbon mic. For acoustic guitars without built-in preamp/pickup systems, try a small-diaphragm condenser about 6" from the sound hole, slanted towards the top edge of the fretboard. Bass guitars are frequently covered with a D.I. (direct injection) box, but if miked, the same type of mic used for kick drum would be preferred.

There are many mics that can be used for miking guitar amplifier speaker cabinets, like the Royer R-122 MKIIL and the Sennheiser e906. Miking live acoustic guitars is a little more challenging; try out the Shure SM81, Neumann KM 184, or the Mojave Audio MA-101fet.

Piano: To cover the full range of a grand or upright piano, you need a pair of mics, usually small-diaphragm omnidirectional condensers. Best placement is inside the lid, about a foot from the strings and about the same distance away from the hammers, one covering the bass strings and the other handling the treble strings. Remember the "3-to-1 rule" when placing these mics.

The final tip is to use your ears and adjust mic positions to try and solve problems before resorting to EQs or plug-ins. The better you get it to sound without adding processing, the better the final sound will be.

Stage Monitoring for House of Worship

This "Application Series" article gives advice toward the specific areas of business serviced by Guitar Center Professional, including studio recording/film sound, live sound, house of worship, clubs/restaurants, business sound/lighting systems, and more.

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Unless you’ve spent some time onstage playing in bands of the spiritual or secular variety, the whole concept of stage monitoring might be hard to understand. The most simple way to get it is that if a musician or speaker can’t hear themselves (or other members of their band or choir) while onstage, it’s terribly difficult to put on a top-notch presentation or performance. Therefore, you need a solution in your house of worship that allows musical performances or spoken word presentations to be heard onstage as well as in the audience.

There are two general categories of stage monitoring systems: speaker monitors (also known as floor wedges) and in-ear monitors (IEMs, sometimes called personal monitors). Traditional stage monitors are wedge-shaped speakers that are placed toward the front of the stage, facing back toward the performers. In-ear monitors are exactly as the name implies: like the ear buds in an iPod, they fit into the external ear canals of the person addressing or performing for the audience.

Some worship facilities use a combination of traditional floor wedge stage monitors along with in-ear monitors for the best of both worlds. St. Andrews Presbyterian Church (Newport Beach, CA).

Houses of worship that opt for in-ear monitors (IEMs) over stage wedges enjoy a clear, uncluttered stage that can be an advantage for both performers and audiences. Grace Family Church (Lutz, FL).

Wedges vs IEMs
Floor wedges have been around for decades and are very simple in design; they are merely speakers that connect via audio cables to a mixing surface. There is an inherent level of reliability with this low-tech (but time-proven) solution. In choosing between floor wedges and IEMs, be aware that some performers simply don’t like the aspect of having things tucked into their ears while they play. They might find it too isolating from the natural acoustics of the stage and the room as a whole.

But in today’s world, it’s hard to pose an argument against in-ear monitoring. Using them, the performer gets a level of control of volume, panning, and other elements that is simply not possible in wedge monitors. In-ear monitors will never be a cause of feedback, which is always a danger when you have live speakers on stage that can direct sound back into open microphones. Finally, since most IEM systems are wireless, those performers can move about the stage more freely, since their mix is always right there with them. This can be especially good for dramatic performances.

Guitar Center Professional’s account representatives are experts at specifying monitoring systems for houses of worship. In many cases, they can even visit your place of worship to determine what will work best for you.

FAQ
How many floor wedges or IEM systems will our house of worship need?
The answer is dependent on several factors, including the size of the stage and the number of performers/presenters that will using them at once. With wedge monitors, each monitor will disperse sound over a certain area of the stage. In a typical worship band-type music event, it’s a good idea to have at least three wedges at the front of the stage for singers and instrumentalists, and more near the back for drummers, keyboardists, backing vocalists and the like. With in-ear monitors, the answer is more simple: each performer will require his or her own set of IEMs.

Is it complicated to set up and use a wireless IEM system?
No. It can be set up quickly and easily. However, making the most of an IEM system’s advantages (like setting up personalized levels and other settings for each performer) requires a level of aquired skill. In the professional live sound world, there’s a role called a “monitor mixer” whose sole job is to do just this. Your GC Pro rep can assist you in getting your IEM system set up and ready for use.

If we’re building a new facility from the ground up, is it important to take stage monitoring into consideration?
Stage monitoring is of vital importance to the quality of the performance or presentation, and therefore impacts the experience of the audience as well. It should be thought of on an equal degree of importance as your facility’s main PA system, lighting, and more.

What if we can’t afford our stage monitoring system all at once?
First, Guitar Center Professional has excellent financing programs tailor-made for houses of worship. Second, with both wedge speakers and IEMs, your monitoring system can be built and then added to as your budget permits.

Suggested Products

Yamaha CM15V 15” 2-Way Club Concert Series Monitor Speakers

Electro-Voice TX1122FM Tour-X Floor Monitor

Shure PSM 300 Wireless Personal Monitoring System

Sennheiser ew 300 IEM G3 In-Ear Wireless Monitor System

Audio-Technica M2 In-Ear Wireless Monitor System

For more information, please visit www.gcpro.com.

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About Guitar Center Professional/Guitar Center
Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

University of Chicago Lab Schools Turns to GC Pro

The University of Chicago Laboratory Schools Digital Music Lab, featuring gear sourced through Guitar Center Professional. Photo courtesy of Francisco Dean. © 2015.

WESTLAKE VILLAGE, CA, December 7, 2015 — Francisco Dean is a music instructor at the University of Chicago Laboratory Schools, a pre-K-through-12 private school affiliated with the U of C that is considered one of the top preparatory schools in the U.S. He’s also a long-time client of Guitar Center Professional (GC Pro), the business-to-business (B2B) division of Guitar Center providing highly customized service for professional accounts; about two years ago, a trip to the nearby Hobart, Indiana Guitar Center location resulted in the store’s equipping the University of Chicago Laboratory Schools’ brand new Digital Music Lab with most of its gear – more than 100 items of equipment in all.

“About two years ago I needed a small MIDI controller and went to [GC Pro Account Manager] Ryan Nigh for assistance,” said Dean. “I got to talking to him, and when I told him I taught music technology to high school music students and was looking for gear for our not-yet-built Digital Music Lab, Ryan told me about GC Pro’s educational program. I knew then that it was just what we needed. The timing was perfect, as I was working on the school’s syllabus for the upcoming year and the planning for the lab.”

GC Pro works directly with people like Dean and offers special educational discounts. In addition, students can get the benefits of the GC Pro program, such as discounts and free shipping from their local store no matter where they live.

The U of C Laboratory Schools’ Digital Music Lab features 16 independent workstations where students can compose and record music. The workstations are equipped with AKAI Professional MPK249 Performance Keyboard Controllers, AKAI APC Mini Compact Ableton Live Controllers, Focusrite Scarlett 6i6 USB audio interfaces and more. Each workstation is linked to a central USB hub and their computers are linked to the Lab’s local area network via Ethernet. If desired, a single workstation can be moved to another location for remote recording.

Since live recording is a key focus of the University of Chicago Laboratory Schools’ music program, GC Pro supplied a variety of dynamic and condenser mics from Sennheiser, Rode, AKG, Shure, SE Electronics and Electro Voice. “Our students learn how to mic and record everything from vocals to brass, woodwinds and percussion, so we needed to build a mic locker that would include mics for all applications,” said Dean. A selection of Sennheiser headphones, KRK Rokit powered studio monitors, cables and other gear rounds out the Digital Music Lab’s equipment complement.

“We were building the lab from scratch and had never done anything on this scale before,” noted Dean. “Ryan Nigh was invaluable in giving us the advice we needed regarding which products would be the best for our needs, and offering the tech support we needed to make everything work together. Usually I would just tell him what we needed in terms of what the products had to do, and Ryan would make recommendations based on which products would best serve our requirements.”

“In working with Ryan, I had the peace of mind that I was getting unbiased recommendations, not a sales pitch that would be forgotten the minute I walked out of the store. Because he’s in the field making recordings and doing mixing on his own, Ryan knows how equipment works in the real world.” Since the Digital Music Lab went into operation, everything has been working without a hitch.

Dean likes to stop by his local Guitar Center frequently for the music supplies he requires for his classes – and because like most of us, he’s an inveterate gearhead. “Having Ryan around is like having my own personal tech support assistant. Ryan and GC Pro really made it as easy as possible for us to set up the Digital Music Lab in providing their expert assistance on this project.”

For more information, please visit www.gcpro.com.

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About Guitar Center Professional/Guitar Center
Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

Oak Cliff Bible Fellowship Takes Control of Its Sound

The main worship space at Oak Cliff Bible Fellowship, featuring an extensive arsenal of sound, video and lighting components sourced through GC Pro and installed through GC Pro’s Affiliate Program by affiliates Crown Audio Video and Trinity Group International.

— In addition to sourcing a wide array of audio, video and lighting components for an extensive upgrade to the Oak Cliff Bible Fellowship’s facility, GC Pro’s Affiliates Program connected the church with two highly specialized systems integrators for AVL and system control —
WESTLAKE VILLAGE, CA, November 25, 2015 — Dr. Tony Evans understands the need to make the message clear. He’s the pastor of the 10,000-member Oak Cliff Bible Fellowship (OCBF) church in Dallas, Texas, which he founded with wife and ministry partner Dr. Lois Evans in 1976, as well as president of The Urban Alternative radio broadcast that can be heard over 1,000 outlets daily throughout the U.S. and in over 100 countries worldwide. So when the OCBF needed more sound, video and lighting earlier this year, the church turned to Guitar Center Professional (GC Pro), the business-to-business (B2B) division of Guitar Center providing highly customized service for professional accounts, to both select and source the right components and to match the best systems integrators for the AVL and control systems.

The project was substantial, says Jeff McDaniel, Account Manager based at the GC Pro location in Dallas. “This is a large facility building, across from the church’s main campus, that houses their activities areas, such as their youth centers,” he says. “They needed a lot of additional audio, including a lot of speakers and DSP processing, as well as new video displays and new lighting. But they also wanted to add more sophisticated control over the AVL systems, to enable a wider number of users to access and configure the systems as needed more easily. That called for a Crestron control system. Installing audio, video and lighting requires one set of specialized skills, and programming a complex control system requires a different set of skills. So we matched Oak Cliff Bible Fellowship with two different Affiliate Program member integrators for this project.”

Crown Audio Video was assigned to the Crestron programming tasks while Trinity Group International took on the job of installing new audio, video and lighting. The latter aspect of the project included over a dozen ceiling-mount QSC speakers, including in-ceiling subwoofers, with QSC processing and amplification for the main activities hall; Community Sound all-weather speakers for outdoor use; an LG 47-inch LCD display and a Blackmagic Design HDMI SDI-to-HDMI conversion unit for one of the building’s youth centers and a Sennheiser wireless microphone system for a second youth center on another floor. Chauvet LED lighting components were also added to several areas. All of these were sourced through GC Pro.

Walter Jones, Media Director at the Oak Cliff Bible Fellowship.

“It was a pretty sizable project,” observes Walter Jones, Media Director at the Oak Cliff Bible Fellowship. “The main entrance area is huge at about 30 feet wide and about 300 feet long, and it serves as the main artery that leads to the other areas of the building. We wanted to have a zoned sound system in that area to support live events, background music and announcements. The video screen is now used as confidence monitor for those using our ProPresenter software. We also added LED lighting to the stage and some additional acoustical material in the second floor youth room. A major part of the project was the activation of our Crestron control system. Our first floor youth room is loaded with high-tech AVL systems. We really needed an easy way for our not technical staff and volunteers to be able to access and control those systems. I knew the programming would be intensive, but it had to be done right.”

And it was, thanks to GC Pro’s extensive inventory of technology products and its wide range of integration partners through the Affiliates Program, which allowed them to allocate the right resources and expertise to each aspect of the project. “Anyone who needs to use any of the spaces can access the audio, video and lighting from the Crestron control panels on the wall,” says Jones. “Working with Jeff was great on this project, and the choices of Crown Audio Video and Trinity Group International met our installation needs. We had a vision of what we needed to achieve here, and Jeff and GC Pro had the resources to pull that all together and make it happen. It all worked out exactly the way it was supposed to.”

For more information, please visit www.gcpro.com.

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About Guitar Center Professional/Guitar Center
Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

Heroes Camp Recovers from Devastating Windstorm Damage

One of the basketball court spaces at Heroes Camp in Mishawaka, Indiana, featuring gear sourced through Guitar Center Professional.

— Faith-based sports ministry suffers massive damage as a result of a severe windstorm, and GC Pro and its AV integration affiliate Accutronics step up and stay with the organization through 15 grueling months of rebuilding, culminating in a joyful reopening in September —
WESTLAKE VILLAGE, CA, October 6, 2015 — The winds came on the night of July 1, 2014, and what they left in their wake was devastating. Heroes Camp, a sports ministry in Mishawaka, Indiana, that for 26 years has provided guidance and activities for area youth with its three basketball courts, a kitchen, locker rooms, a recording studio, and even a barbershop, had its ceilings torn down and its floors flooded. Over the next 15 months, Heroes Camp battled back, culminating in a grand reopening on September 12. Guitar Center Professional (GC Pro), the business-to-business (B2B) division of Guitar Center providing highly customized service for professional accounts, along with its Affiliates Program partner Accutronics LLC, was happy to be part of that miraculous comeback.

GC Pro sourced a wide variety of audio, video and lighting products and systems, including a QSC PA system, Da-Lite projection equipment, Shure and Sennheiser microphones, Atlona video products, Rapco cabling and Mid Atlantic racking. Many of these products were delivered through the Mishawaka Guitar Center store, which had long been a supplier for Heroes Camp’s MI needs, and they were installed and integrated by Accutronics.

Ryan Nigh, GC Pro Account Manager, remembers that he, Accutronics Owner Mike Love and Heroes Camp Executive Director Patrick “P.J.” Perri were just about finished with the paperwork for some upgrades to Heroes Camp’s existing systems along with some new products when the winds struck overnight. The next morning revealed the extent of the damage. What had been a relatively small upgrade project now turned into a recovery and rebuilding task, with substantial support from the community that Heroes Camp had been part of for a quarter of a century. “PJ had sent me a video of the damage and it was terrible,” Nigh recalls. “We all got together and determined what could be salvaged and what needed to be replaced. We were putting together a plan that would get them back to where they had been before the storm and then some, as cost-effectively as possible, because throughout the entire time they were also battling with insurance companies.” Nigh credits Toby Klingler, Manager of the Mishawaka Guitar Center store, for giving local store support, and logistics coordinator Jon Newby, for handling all of the special orders and shipping. “Everyone gave a hundred percent to get Heroes Camp back on its feet,” he says.

The recording studio space at Heroes Camp in Mishawaka, Indiana, featuring gear sourced through Guitar Center Professional.

PJ Perri concurs, citing GC Pro’s experience dealing with insurance issues. “They understood the critical difference between contents and structure,” he explains; how, for instance, a speaker on the floor can be considered in the contents category but once it’s hung from a wall or a truss it becomes part of a building’s structure — a critical distinction to an insurance adjustor eyeing liability limits. “I was very impressed with the knowledge and insight they were able to bring about insurance matters. That was very helpful.” And Perri was also happy with GC Pro’s choice of integrator, noting how Accutronics’ Mike Love was able to make the facility’s recording studio look better than ever. “It looks as good as it sounds,” says Perri. “He hid the wiring very artfully and everyone who comes in comments on the sleekness of the studio. Everyone involved was just awesome.”

“I was happy to help,” says Ryan Nigh. “GC Pro has been around a long time and we’ve accumulated a lot of experience – not just in professional AV but in everything connected with it,” he says. “But it was especially gratifying to see Heroes Camp come back, and see how the community and companies like Nike, Foot Locker and even the Chicago Bulls come together to help, because this was all for a much greater cause. We were glad to be part of that.”

For more information, please visit www.gcpro.com.

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About Guitar Center Professional/Guitar Center
Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

Metro City Church Expands with D.A.S. Audio

The view from the front-of-house position at the new Riverview, Michigan campus of Metro City Church, outfitted with A/V components sourced through Guitar Center Professional.

WESTLAKE VILLAGE, CA, August 24, 2015 — Several years ago, Metro City Church, located in the Detroit metropolitan area, outfitted its 900-seat sanctuary with a system of Aero Series 2 products from Spanish manufacturer D.A.S. Audio with assistance from Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users. Building on the success of that project, the church recently returned to GC Pro to purchase a second D.A.S. system for a new campus and its touring praise band.

Metro City Church is a very modern organization, employing the latest technology and media, especially music, to engage its congregation, which reportedly numbers about 1,500 people each weekend. According to Paul Johnson, GC Pro Senior Account Manager in Detroit, “Music plays a vital role in their worship services because it’s a great way to be relevant to their congregants. They have a praise band—Alive—that reaches out to hundreds of high school students.” Alive is also the name of the church’s high school division, which meets every Sunday night and addresses the local Downriver community of ninth through twelfth grade students.

Toward the end of 2012, Johnson, together with Paul Long, a Guitar Center Sales Associate based at the Southfield, Michigan store, in collaboration with Steve Trimble, D.A.S. Audio Regional Sales Manager, designed and installed a new sound system for the church after carefully considering the available options. Long, who is also on staff at Metro City as the church’s lead sound engineer, explains, “The church is very active with music, bringing bands in as well as it sending its own bands out, for probably 10 years now, so we see a lot of the equipment that’s being used. There were really three major companies—the top three brands that we’ve worked with on tours—that we were looking at, including D.A.S.”

The new Riverview, Michigan campus of Metro City Church, outfitted with A/V components sourced through Guitar Center Professional.

The sanctuary at the church’s original campus in Taylor, Michigan, features D.A.S. Aero Series 2 powered line array components flown in an LCR configuration—three cabinets in the center with six hung at either side of the stage. Two D.A.S. LX-215A powered band-pass subwoofers and eight LX-218CA dual-18-inch high performance powered subwoofers are stacked to the left and right and are configured in cardioid arrays in order to reduce standing waves on the stage. A similar setup was ordered for the church’s new campus, located in the southern Detroit suburb of Riverview, including a total of 15 D.A.S. Aero 12A line array modules flown in an LCR configuration, and 12 LX-218CA dual-18-inch subs, along with dbx DriveRack VENU360 speaker processing. The systems at both the Taylor and Riverview campuses are similar, says Long, “But one thing that is a bit different is that we originally sold them Aero 12As and they have since modified and upgraded the system to include Aero 38As as well as Aero 12s. So it’s more of a hybrid system now.” The powered three-way Aero 38A module houses two 12-inch and two 10-inch speakers plus a 1.5-inch high frequency compression driver.
The latest upgrade also includes four Sennheiser G3 Evolution 900 series handheld mics, a pair of G3 wireless body pack transmitters and rackmount receivers and three DPA d:fine 4088 miniature cardioid headset mics. This purchase also includes band equipment, including Meinl cymbals and an Ampeg SVT head, and a variety of instrument microphones, most notably Shure Beta52A, Beta56A and Beta91A dynamics and an Audix DVICE drum mic mounting system.
In appreciation, the church made its facilities available to Guitar Center for multiple GC Pro Live Sound Expos in 2014 and 2015, featuring the latest products from many high-end manufacturers. “Metro City Church was the first to partner with us to do one of those events,” says Johnson. “That was a big deal—they opened up their church to us.”

For more information, please visit www.gcpro.com.

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About Guitar Center Professional/Guitar Center
Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

Studio Profile: Vanquish Studios, Davie, Florida

Vanquish Studios’ state-of-the-art control room features an SSL Duality SE 48-input analog console; monitors by ADAM, Genelec and M-Audio; and a host of outboard gear.

-- A small private studio boasts professional-grade gear and world-class atmosphere, attracting top artists across a wide variety of genres --
Vanquish Studios sits comfortably near the top of a short list of south Florida’s most advanced private recording facilities. Known for its warm and inviting atmosphere (certainly not hurt by the sunny climate of the studio’s hometown of Davie, Florida, near Fort Lauderdale) and extensive and state-of-the-art gear setup, Vanquish has become a hotspot for recording local talent, and a destination for acts from elsewhere. “I can give you the numbers,” states the studio’s founder and CEO Joseph Salamida, who also serves as one of the primary producers and engineers at the facility. “Five years in business, well over 300 happy clients, more than 84,000 GB of data and over 12,500 hours recorded. We have been busy!” Shortly after opening in 2009, Vanquish was selected as one of the “Year’s Coolest New Studios” in MIX Magazine’s year-in-review. And in the years since, the studio has been lucky to work on GRAMMY-nominated projects by such artists as William McDowell and Israel Houghton.

After graduating as one of the top students in his class at SAE Miami, Salamida tried to find a studio to intern with in the area, but none felt right to him, as he didn’t feel they were going to offer him a balance with his work at church on Sundays – a lifelong priority. “I had a mentor at the time who saw my potential and that I had something special to offer. Through him, I became friendly with some industry heavy-hitters including Horacio Malvicino at the Malvicino Design Group. All of these people encouraged me to go all the way. For instance, it became clear to me that it makes less sense to invest in a great console and set it up in a cement garage than it does to go the extra mile and develop a world-class facility to house that console. So that became my goal. Somehow we made it work, and here we are today.” Joining Salamida in the studio’s day-to-day operations are several trusty associates: Franklin Rodriguez, Franklin Soccoro, Chris Hardy, Tony Morales, Paul Salveson, Danny Duncan, new addition Kevin “Gomie” Gomez, Mario Caroscio, and others.

Vanquish Studios’ extensive patch bay, along with Apogee AD16X 192K A/D converters, Apogee DA16X 192K D/A converters, Empirical Labs EL8X/S Stereo Pair Distressor, and more.

The studio was designed by the Blank Design Group with systems integration by the Malvicino Design Group and gear sourced through Guitar Center Pro. GC Pro has been a key advocate since day one. As Salamida notes, “I have worked with three different Account Managers at GC Pro, and each of them has been world-class. When I call frantically with an emergency, they help us solve it in a calm and professional way. They’ve got our back.”

The live room sports a mix of wood, stone and acoustical treatments – customizable for each project to the clients’ needs. A luxurious lounge allows much-needed R&R. The control room’s centerpiece is an SSL Duality SE 48-input analog console from Solid State Logic. GC Pro-sourced gear includes Pro Tools and a full software complement; microphones from Audio-Technica, AKG, Neumann, Sennheiser, Sony and several other manufacturers; monitors from ADAM, Genelec, Yamaha and others; and outboard gear from such iconic brands as Focusrite, Lexicon, Universal Audio, Apogee and more.

The acoustically-engineered tracking room features a mix of hard wood, stone and acoustical treatment, customizable to suit the needs of each project.

Vanquish Studios worked closely with GC Pro affiliate Malvicino Design Group to help make Joseph Salamida’s dream a reality.

The studio has produced successful projects with artists on every genre, but Salamida’s heart lies with his Christian ministry: “It might sound old-fashioned to some, but I see this studio as an extension of my ministry, whether or not I’m working on Christian music at the moment. And for Christian artists, we are expanding what we offer – we now are unveiling our production company and record label to get these projects fully produced, all in-house, offering a turnkey solution to save these artists money on their tight budgets.”

Salamida is rightly proud of his crew and what they’ve accomplished: “We're a close team of musicians and engineers,” he notes “We are passionate about what we do, and we take pride in delivering only the best, and hopefully it shows on the faces of our clients when they hear the mixes or hold their album in their hand.”

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About Guitar Center Professional/Guitar Center
Founded in 2001, Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

GC Pro Works with Make-A-Wish®

Make-A-Wish® Southern Nevada program participant Diego, performing with his new DJ gear at a recent 5K event held by the organization. Photo courtesy of Make-A-Wish® Southern Nevada.

— GC Pro uses its incredible depth of inventory, its vast resources and the compassion of its employees to provide accessible products for children in the Make-A-Wish® program —

— Two young aspiring DJs now have professional-level rigs that they’re already putting to use at gigs, with all equipment, assembly and training
provided by GC Pro —
WESTLAKE VILLAGE, CA, June 27, 2014 — Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, has been regularly collaborating with Make-A-Wish® Southern Nevada, a chapter of the national organization that grants the wishes of children diagnosed with life-threatening medical conditions in the United States and its territories, to provide access to musical instruments and professional audio equipment for children in the program. Most recently, the GC Pro office in Las Vegas worked with the southern Nevada chapter to make the dreams of two young DJs come true. In the cases of Kyle and Diego, two youngsters suffering from debilitating, life-threatening conditions, GC Pro fulfilled their wish list.

The new rigs for each DJ now include a Numark NS7II DJ Controller with case and stand, QSC K12 powered speakers and KW181 powered subwoofer, an Apple MacBook Pro laptop computer, Pioneer HDJ2000 professional headphones, Ableton Live 9 software, a Sennheiser E835 microphone and an Akai Professional EIE PRO 24-bit Audio/MIDI interface with USB hub. All of this equipment was provided fully assembled, configured and installed by Michael “Mickey” Lomboy, a member of the GC Pro Affiliates Program, with training also provided by GC Pro personnel – all part of how GC Pro supports Make-A-Wish’s acclaimed charity work.

“These kids are amazing,” says John Stevens, the Account Manager at GC Pro’s Las Vegas office who acted as the liaison for the project and for other similar collaborations since June of 2013. “They’re up against some serious illnesses — Kyle is permanently in a wheelchair and Diego has a serious neurological condition. But they are both really focused on becoming DJs. We wanted them to have the tools to achieve those dreams.” And that’s exactly what’s happened — both kids are already using the gear to play shows and concerts in front of substantial crowds.

Miriam Ceballos, Wish Granting Coordinator at Make-A-Wish Southern Nevada, had praise for GC Pro’s contributions to their cause. “We work with many vendors on these projects, and I can say that every time we’ve worked with GC Pro it’s been a pleasant and fulfilling experience, for us and for the kids,” she says. “DJ wishes have become very popular lately, and GC Pro knows exactly what the kids want and need, and it’s always right there when you need it. Sometimes the kids know what they want, and whatever it is, you know GC Pro has it in stock. And if the kids aren’t sure, GC Pro is there to help them figure out what works best for them.”

John Stevens notes that working at GC Pro is always fulfilling because, he says, “Every day you’re making someone’s dream come true, to be an artist, an engineer, a producer, a DJ. But with Make-A-Wish, it takes that feeling to a whole new level. When you see the kids smile and light up when they get that equipment, it pulls at your heartstrings. It’s the best feeling I’ve ever gotten here at GC Pro.”

For more information, please visit www.gcpro.com.

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About Guitar Center Professional/Guitar Center
Founded in 2001, Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

Phenix City First Assembly of God Looks to GC Pro

WESTLAKE VILLAGE, CA, August 12, 2013 — Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, has built a strong relationship with Jonathan “JT” Thornton, the Worship Pastor at Phenix City First Assembly of God, a “lively, upbeat, encouraging, and Spirit-led” church led by Senior Pastor Barry Danner in Phenix City, on the Alabama-Georgia state line. Thornton has been working closely with Brad Lyons, his Account Manager at the GC Pro office in Atlanta. “I need a trusting relationship with someone who can help me take my church forward, Thornton states. “I found that with GC Pro.”

Brad Lyons and his team worked closely with Thornton over the two years he’s been at the First Assembly of God church, helping him choose an entire new PA system for the main sanctuary, new projectors for the space’s video, and even two Yamaha keyboards for the church’s 10-piece praise band. GC Pro sourced a Yamaha LS9 console, an entire JBL VRX line array system, an Ashly Audio NE24.24 8 X 12 processor, Crown XTi power amplifiers and upgrades to the church’s existing Sennheiser evolution wireless microphone system, as well as BenQ SH960 6,000 lumen Projectors, Kramer VP728 Video Scaler/Switcher and Lyntec PDS-10 Power Sequencing system.

Thornton says there are two key principles that guide him: the need to find the equipment that best fits the church’s needs and that also best fits its budgets. “You need to have the quality that stands up over time and that keeps the church’s AV systems current for as long as possible, but I also have to be a steward of the church’s resources, to allow the technology to best further its evangelical goals in the community,” he explains. “To do that, I need a relationship with someone whom I trust who also knows what our goals are, knows the rooms we have to work in and understands our budget concerns.”

The collaboration with GC Pro has been a good one so far, and Thornton says some additional upgrades are under consideration, including possibly adding in-ear monitoring for the sanctuary stage. And through it all, he will turn to GC Pro: “I do have to do my due diligence and check out different options for equipment,” says Thornton. “You can call around and get quotes all day, but ultimately there are certain people you trust, and for me that someone has been Brad.”

For more information, please visit www.gcpro.com.

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About Guitar Center Professional/Guitar Center
Founded in 2001, Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

GC Pro Helps First Baptist Church

First Baptist Church of Sebring, Florida, recently renovated and featuring a new sound system sourced through GC Pro.
WESTLAKE VILLAGE, CA, October 30, 2012 — The First Baptist Church of Sebring, Florida, was founded in 1922. A lot has changed in the intervening 90 years, including the church’s move to its current location in 1987. Since then, the church has continued to expand its campus, adding a Fellowship Hall, kitchen, elevator, children's department, and the "ROC" (Recreation Outreach Center) for athletic events, social gatherings, and youth activities. One of the things that didn’t change as quickly, however, was the church sanctuary’s sound system, which was both old and ill-designed for the church’s dimensions, which are wider than long, causing many sound problems (for instance, the 60-person choir would miss many of the weekly sermons due to lack of intelligibility through the PA system). A change needed to happen, so the church reached out to Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, for help. Today, everyone in First Baptist of Sebring can hear every word spoken by the Pastor and every note of music sung by the choir and played by the worship band.

GC Pro’s team assessed the church’s needs carefully, noting in particular the specification for a sound system with excellent horizontal dispersion characteristics, to address the building’s interior dimensions and lack of acoustical treatments. Commuting from GC Pro’s Tampa office, GC Pro Account Manager Mick Hall spent hours at the church, figuring out the best systems for its needs. These included a JBL VRX928 line array system configured as a center cluster, with two VRX dual-15-inch subwoofers.

“The old systems left a number of dead spots throughout the church,” Hall explains. “It simply didn’t have the reach, and as a result intelligibility suffered. Rooms with these kinds of dimensions need very specific kinds of system solutions.”

The new PA system was rounded out with a new Yamaha LS9 FOH console, Aviom in-ear wireless monitoring for the band, an Ashly NE24.24M matrix processor, a Sennheiser Evolution wireless microphone system, and a pair of JBL CBT 70 mini-arrays for the choir’s monitors. Hall also specified two Mitsubishi 8100 video projectors. “The big picture was to get even and consistent sound coverage for the entire sanctuary, which is something the church had never had,” says Hall.

GC Pro was chosen as the partner on this project based on the comprehensiveness of their approach, which included detailed design and consultation services and installation availability through its Approved Vendor Program, in addition to competitive pricing. “We let them know we would be their partners in this project, not just a vendor selling equipment,” says Hall. “That’s how GC Pro does it.”

For more information, please visit www.gcpro.com.

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About Guitar Center Professional/Guitar Center
Founded in 2001, Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.