TEC Award Winners & GC Pro's Unofficial Runners-Up

Another NAMM Show is behind us, and while we could complain about our sore feet after walking 27 miles of aisles over the past four days, instead we’d like to tip our hat to winners and nominees from the recent TEC Awards, held during NAMM to recognize the technical and creative achievements in our industry. We’re also including our own picks for runners-up in each category, in a completely unauthorized and unofficial way, because we’re like that.

You can get more detailed information on any TEC Award-worthy product listed below by contacting Guitar Center Professional at 877-687-5404.

AMPLIFICATION HARDWARE - STUDIO & SOUND REINFORCEMENT
Antelope Audio: Satori Monitoring Controller

The winner in the amplification category is a worthy one. Satori is a true analog monitoring and summing system that is one of the best ever made. Great for both commercial and project studios, Satori has carefully-designed analog circuits and fast, transparent relay attenuators to ensure the audio integrity throughout the whole signal path. Everything about the Satori, from its gold-plated relays and precise resistors to its features that include four independent headphone amps, analog summing functionality, and eight stereo inputs and four stereo outputs in a 1U rack space should tell you that this is worth our attention.

GC Pro’s Runner-Up: QSC’s GXD Series, power amps that are ideal for portable sound reinforcement applications and installations with demanding DSP requirements and flexibility at a cost effective price.

ANCILLARY EQUIPMENT
Rupert Neve Designs: RNDI Active Transformer Direct Interface

It always seems like “Ancillary Equipment” is a catch-all category for audio products that can’t be wedged into other definitions (because that’s pretty much what it is). But in this case, the winner is something that will be valuable in any studio or live sound environment. The RNDI is a direct box that goes above and beyond the norm with custom Rupert Neve-designed transformers and class-A biased, discrete FET amplifiers. It delivers a powerful and vibrant direct sound capable of reproducing the full harmonic depth of basses, guitars, acoustic instruments, and professional line level sources.

GC Pro’s Runner-Up: Radial Engineering JDX-48 Reactor Guitar Amp Direct Box. We love the wide range of utility products made by Radial, and the JDX-48 is definitely one of them. It captures the sound of both the head and the cabinet of an amp, and works equally well on electric guitar and bass with 100% discrete class-A circuitry.

COMPUTER AUDIO HARDWARE
Universal Audio: Apollo 8p Thunderbolt 2 Audio Interface

Thousands of GC Pro customers already are aware of the power of Universal Audio’s Apollo line of audio interfaces. Since their introduction, this product series has continued to get even better, and the TEC Award-winning Apollo 8p is one of the best ever made. It delivers a 16 x 20 Thunderbolt 2 interface featuring eight onboard mic preamps, making it perfect for mobile rigs and tracking full bands. Apollo 8p also features powerful UAD-2 QUAD Core processing, letting you run UAD Powered Plug-Ins in real time.

GC Pro’s Runner-Up: There were so many great products nominated in this category, like Waves DiGiGrid iOS, Apogee’s Ensemble Thunderbolt, and Dangerous Music’s Convert Series, that you almost couldn’t go wrong no matter what you choose. We’re giving the unofficial runner-up award to Focusrite for the Clarett 8Pre, a box that is renowned for excellent sound with up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and eight specially-designed mic preamps.

HEADPHONE / EARPIECE TECHNOLOGY
Audio-Technica: ATH-R70x Pro

When we found out that Audio-Technica was creating their first pair of open-back reference professional headphones, we wondered, “What took you so long?” And then we listened and understood. They are the new flagship for A-T’s lineup of professional studio headphones, and they feature specially designed drivers and acoustically transparent housings fashioned from aluminum honeycomb mesh, and provide even greater comfort during the prolonged use often required in professional settings.

GC Pro’s Runner-Up: Shure’s PSM 300 is an excellent choice in personal monitoring for musicians, houses of worship, and other live sound situations where a powerful but affordable system is required.

MICROPHONE PREAMPLIFIERS
Manley Labs: Manley FORCE

Mic preamps are extraordinarily difficult to judge... what sounds perfect for one source might not be right at all for another, which is why the best studios and production facilities in the world often have a multitude of preamps to choose from. We certainly can’t argue against this year’s TEC Award winner; EveAnna Manley and her company make fantastic preamps, and Manley FORCE is a meticulously hand-crafted box that offers four channels of vacuum tube microphone preamplifiers, housed in an exquisitely gorgeous chassis.

GC Pro’s Runner-Up: Once again, it’s hard to say that any of the 2016 TEC nominees in this category wouldn’t serve as excellent preamps, from the AMS Neve 1073DPX to the Focusrite RedNet MP8R and the rest. However, our unofficial runner-up is the Chandler Limited REDD.47. Decisively old-school in design, it’s a recreation of the original tube line amplifiers used in Abbey Road Studios’ heralded EMI REDD.51 recording consoles circa 1959-1968, with an unmistakably punchy, aggressive character that you associate with Beatles tracks recorded in the mid-60s.

MICROPHONES – RECORDING
Neumann: U47 FET

It can’t be a surprise to anyone that this recreation of a coveted mic is a winner out of the gate, and voters for the TEC Awards this year apparently agreed. This collector’s edition of the famous Neumann U47 fet is based on the original mic’s production documents and schematics. This world-class condenser cardioid microphone, available via GC Pro, offers a wide dynamic range, a switchable low-cut filter, and switchable attenuation.

GC Pro’s Runner-Up: So... hard... to... choose! Microphones are one area where studios of all sizes should have a variety to accommodate the wildly different vocal and instrumental sources that they may encounter, so there’s rarely a right or wrong answer at this level. The Audio-Technica AT5045 is an outstanding side-address mic with a huge diaphragm surface area. The Blue Microphones Hummingbird is a fantastic small-diaphragm mic that’s both innovative (with a 180-degree rotating head) and super affordable. But we’re going to give our prize to Royer Labs’ R-122 MKll Active Ribbon Microphone. Sure, it may just be an update to the original R-122, but this industry-standard ribbon mic now adds a switchable -15 dB pad and a switchable bass-cut filter, making it even more flexible for more sound sources.

MICROPHONES – SOUND REINFORCEMENT
Shure: 5575LE Unidyne 75th Anniversary Vocal Microphone

Talk about a classic! The Shure 5575LE is a limited-edition mic that you probably associate from its days starting 75 years ago on the desks of announcers and talk shows. Designed specifically for vocal and speech miking, we’re pretty sure that its combination of vibe-filled sound and great design is what captured the votes for this year’s TEC Award.

GC Pro’s Runner-Up: There are many great mics to choose from in a category that can span from hand-held mics for bands up to the podium mics that will spread the word to thousands at a large house of worship. Our pick is the Earthworks High-Definition 40kHz FlexMic, which is a series of some of the finest high-definition podium microphones ever made. Available in multiple lengths and both cardioid and hypercardioid patterns, these mics will handle up to an astonishing 145dB SPL with high rejection of sounds to the rear of the microphone, and incredible gain before feedback.

MUSICAL INSTRUMENT AMPLIFICATION & EFFECTS
Eventide: H9 MAX

Okay, this may look like a typical small stompbox at first glance, but it’s actually like some crazy effects device from the future. The H9 Max includes tons of algorithms from Eventide’s acclaimed effects from over their long history, including Time, Mod, Pitch, and Space, and even includes all future algorithms created for the platform at no additional charge.

GC Pro’s Runner-Up: Two of Moog Music’s great stompboxes in their “Minifooger” range, the MF Flange and MF Chorus, both got well-deserved nominations. But our choice is the Grace Design FELiX Studio Quality Instrument Preamp/EQ/DI, a two-channel design that blends acoustic instrument and mic preamp for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. With more and more venues looking for quality of sound over quantity, FELiX brings open, musical and nuanced preamplification to any performance situation.

MUSICAL INSTRUMENT HARDWARE
Moog Music: Modular Recreation

Moog stunned the synthesizer world last year by releasing three incredible recreations of their classic modular analog synthesizers with the System 55, the System 35, and the Model 15. It’s no surprise that this limited-run return to the original world standard in music synthesis captured the fancy of TEC Award voters and GC Pro customers alike.

GC Pro’s Runner-Up: Roger Linn Design’s LinnStrument is an incredibly innovative 200-pad MIDI controller that captures three dimensions of each finger’s movement for subtle and precise control of note volume, pitch and timbre, polyphonically. It is about as mind-blowing as any kind of instrument controller we’ve ever seen, and opens the door to entirely new areas of creative expression. We love it.

MUSICAL INSTRUMENT SOFTWARE
iZotope: Iris 2

Who said that a great software synth has to be exorbitantly expensive? iZotope’s Iris 2 lets you create sounds that have never been heard before and to discover sounds you've never heard. An inspiring sample-based synthesizer, Iris 2 is immediately playable, combining the power of a sampler, the flexibility of a modular synth, and the fun of spectral filtering.

GC Pro’s Runner-Up: Spectrasonics’ Omnisphere 2 offers a massive variety of new synthesis options, a staggering audio library with over 10,000 sounds, a new interface with an enhanced sound browsing capability, a new and enhanced arpeggiator, 25 new effects units with flexible attributes, and more. For producers, composers, and sound designers, it doesn’t get much better than this. Contact GC Pro for details.

RECORDING DEVICES
Zoom: F8 MultiTrack Field Recorder

Hats off to Zoom for a worthy TEC victory with this 10-track, 8-channel multitrack field recorder, which offers eight XLR inputs with independent gain control, limiting, panning and delay, and support for 24-bit/192kHz audio.

GC Pro’s Runner-Up: A perfect audio recording solution for filmmakers, TASCAM’s DR-70D is a four-track recorder with four balanced XLR mic inputs, and is designed to work in conjunction with DLSR cameras.

SIGNAL PROCESSING HARDWARE
Tube-Tech: HLT 2A Equalizer

Even in a field crowded with great nominees, the Tube-Tech HLT 2A is a very worthy victor. It’s an all-new kind of equalizer, combining high and low shelving EQ plus hi and low cut filters with an innovative T filter “tilt” midrange EQ… the first time this combination of filters has been designed in the analog domain, with a resulting ton of very nice EQ shaping possibilities.

GC Pro’s Runner-Up: Greg Scott of Kush Audio describes his Tweaker Sidechain Shaping Compressor as “... my masterpiece, four years in the making. I haven't found a style of compression it can't do masterfully – clean, gritty, subdued, hammered, whatever.” We can’t argue this. Contact your GC Pro rep to learn more about this fantastic dynamics processor.

SIGNAL PROCESSING HARDWARE (500 SERIES MODULES)
Solid State Logic: 500-Format LMC+

It’s pretty sweet that SSL took their Listen Mic Compressor from the legendary SL4000E console and made it available in a 500 Series format. They also enhanced it with high pass and low pass filters, a side chain feature, and more.

GC Pro’s Runner-Up: 500 Series processors have been among the most popular items for GC Pro customers over the past five-plus years, and this year’s crop of TEC nominees were filled with great products like LaChapell Audio’s 583S mk2 and the Space Heater 500 from Radial Engineering. Our pick for runner-up, if you force us to make one, is BAE Audio’s 1073MPL, a simply stunning hand-wired Class A mic pre in a 500 Series format.

SIGNAL PROCESSING SOFTWARE (DYNAMICS/EQ/UTILITIES)
iZotope: RX 4 Complete Audio Repair & Enhancement

This kind of software blows our collective minds. iZotope’s RX 4 is noise reduction software that allows you to repair, enhance, and restore problematic production audio — from plosives to microphone bumps to inconsistent levels — and dramatically improve sound quality and clarity. iZotope has already introduced an updated version RX 5, by the way.

GC Pro’s Runner-Up: Lots of great nominees in this category, from Focusrite’s Red 2 & Red 3 Suite to Universal Audio’s Neve 88RS Channel Strip Collection. We’re going with the Waves Butch Vig Vocals plug-in that faithfully recreates some of the signature vocal sounds this producer achieved with Nirvana, Smashing Pumpkins, Foo Fighters, Green Day and his own band Garbage.

SIGNAL PROCESSING SOFTWARE (EFFECTS)
AMS Neve: AMS RMX16 Digital Reverb Plug-In For UAD-2 Platform

Designed for the Universal Audio UAD-2 platform, this sweet plug-in offers the reverb sound from thousands of seminal recordings form the ‘80s, with an instantly recognizable lushness found from music by U2 and Peter Gabriel to Radiohead and Rihanna.

GC Pro’s Runner-Up: We are digging McDSP’s FutzBox Rack Extension Plug-In, a distortion and noise generator plug-in for creating low fidelity versions of audio signals, like simulations of radios, cell phones, and televisions. But our unofficial runner-up award goes to Audio Ease’s Altiverb 7.2.6, the latest and greatest version of their industry standard convolution reverb plug-in. It features top quality samples of real spaces to create reverb, ranging from Sydney Opera House to the cockpit of a Jumbo Jet.

SMALL FORMAT CONSOLE TECHNOLOGY
Avid: Pro Tools | S3

No one was surprised at the TEC Awards that the Avid Pro Tools | S3 took home the curvy gold prize at the TEC Awards. The S3 is a compact, EUCON-enabled, ergonomic desktop control surface that offers a streamlined yet versatile mixing solution for the modern sound engineer, delivering intelligent control over every aspect of Pro Tools and other DAWs. It’s the perfect solution for everyone from project studios to the largest, most demanding facilities.

GC Pro’s Runner-Up: If for no reason other than its uniqueness, we have to hand it to Radial Engineering for their Space Heater, an 8-channel tube overdrive that can be used as a stereo summing mixer or as multi-channel studio distortion. With complete control over each tube circuit, the Space Heater can provide everything from subtle transformer warmth to full on harmonic distortion. Your GC Pro rep can fill you in on the rest of the details.

SOUND REINFORCEMENT LOUDSPEAKERS
Meyer Sound: LEOPARD

A company that deserves the utmost of respect in live sound, Meyer Sound’s LEOPARD is ideally suited to everything from mid-sized touring and live theatre to worship and live performance installations, and from symphony music to heavy metal.

GC Pro’s Runner-Up: An excellent and affordable choice for musicians, DJs, houses of worship and more, Electro-Voice’s EKX series combines legendary EV sound quality and reliability with the latest technology, all in a compact package that is suitable for a wide range of sound reinforcement scenarios.

STUDIO MONITORS
Genelec: 8351A SAM

A leader in studio monitor innovation for decades, Genelec took home the TEC Award this year for the 8351A, a totally unique monitor speaker that produces controlled directivity over a very wide bandwidth. It’s an outstanding choice for music studios, post-production houses, edit suites, radio, TV and outside broadcast applications.

GC Pro’s Runner-Up: Here’s a case where a product category is so subjective, it’s impossible to offer a consolation prize to any of the other excellent nominees. But we will say that GC Pro’s account representatives are experts in all professional-quality studio monitors, and can set up a demo or offer suggestions for a system perfectly suited to your space and your tastes. Contact us for details.

WIRELESS TECHNOLOGY
Sennheiser: Evolution Wireless D1

For vocals, instruments, headmics, and lavaliers, Sennheiser’s Evolution Wireless D1 is a simply terrific system for any environment where no-compromise live sound is a necessity. It can run up to 15 output lines in parallel and independently adjust the sensitivity of every transmission.

GC Pro’s Runner-Up: While excellent systems from AKG and Audio-Technica were nominated, we’re throwing our runner-up vote toward Shure’s QLX-D Digital Wireless System. Available in a wide number of configurations, it’s a fantastic wireless system for bands, churches, presentation rooms, and much more.

WORKSTATION TECHNOLOGY
Avid: Pro Tools 12

Come on, what else did you expect? The industry choice for composing, recording, editing and mixing pro audio for music, film and TV remains as vibrant and pervasive throughout the world of audio today as it always has been. More artists, producers, and mixers use Pro Tools than any other DAW. With the redesigned Avid Audio Engine and 64-bit performance, you get multiple times the processing power Avid Audio Engine of previous versions of Pro Tools on the same hardware configurations.

GC Pro’s Runner-Up: Pro Tools isn’t the only DAW in town. There are always more choices than you first realize when looking for the right workstation software platform. Another nominee this year was Steinberg for their Cubase Pro 8/Artist 8 apps, with their exceptionally intuitive workflow in a sleek, efficient environment. GC Pro will help with any question you have regarding which DAW is right for you... contact us today!

Best of AES 2014: Neumann U 47 fet

GC Pro has returned from a tremendously successful 2014 Audio Engineering Society (AES) show, held at the Los Angeles Convention Center not very far from our headquarters in Westlake Village, CA. We'll be taking a closer look at a number of products that we found especially interesting, useful, or just plain cool. The first is the new U 47 fet from one of the most respected and venerable names in audio technology: Neumann.

The History
The Neumann U 47 is perhaps the most respected professional studio microphone in history. Produced from 1949-1965, the original U 47 was a tube-based microphone, and its legendary status was cemented by the recordings of an entire generation of singers and bands. From 1972-1986, Neumann manufactured a new transistor-powered version of the U 47 which also was tremendously popular, and became the mic of choice for such varied artists as AC/DC, Kate Bush, Bruce Springsteen, R.E.M., the Pretenders, a-ha, Dire Straits, Metallica, and many others. More than a vocal microphone, the U 47 fet gained an excellent reputation for handling the low end on sources like kick drums, basses, and even guitar amp cabinets. Since that time frame in the mid-80s, there have been many mics that have tried to emulate the distinctive response of the U 47 fet, with varying degrees of success.

The Return
Launched at AES, the new U 47 fet Collectors Edition was created by Neumann's design team, who went back to the original production documents and schematics for this modern classic. As a mic designed for collectors, it includes a special wooden case, and a certificate of authenticity with each mic. As you'd suspect, the new U 47 is a condenser microphone with a set cardioid direction, and uses fet 80 circuitry like its predecessor. Neumann has once again turned to the classic K 47 large-diaphragm capsule that was used in both the original tube and fet-based version of the mic. This K 47 capsule offers well-known the pleasing bump in the range above 2kHz which seems to work sparkly magic on everything that runs through it.

The U 47 fet also includes a low-cut filter at 140Hz to get rid of unwanted rumble, and a -10db pad to work with high SPL sources. Finally, it has the integrated bracket that's made it so recognizable in studios around the world, as well as the classic nickel finish.

GC Pro: Your Classic (and New Classic) Microphone Resource
The new Neumann U 47 fet is already destined to continue the legendary status of its forerunners, and GC Pro will have a limited number of these top-tier studio mics available soon. To set up a demo, or to inquire about any of our wide range of world-class mics in the GC Pro mic locker, contact your GC Pro representative now.

Introducing the Avid S6: Mixing Redefined

Click here to contact GC Pro and buy now, or call us toll-free at 877-687-5404.

GC Pro is your source for the new Avid S6 control surface. Leveraging the best of the industry-leading ICON and System 5 product families in a revolutionary new modular design, S6 delivers superior ergonomics and intelligent studio control, providing an intuitive, immersive experience for the modern sound engineer. And because it’s built on proven technology, trusted by top audio professionals in the most demanding production environments, S6 delivers the performance you need to complete projects faster and deliver the best sounding mixes possible.

S6 highlights
• Customize the surface with only the modules you need for great cost efficiency
• Scale the system from mid- to large-format to match your workflow, with room to grow
• Mix faster and easier with intelligently designed controls, touchscreen and intuitive layout
• Access and manipulate multiple aspects of your mix through the master touchscreen
• See your mix in a whole new way with detailed visual feedback and professional metering
• Get the deep, integrated Pro Tools® mixing control only Avid can provide
• Extend your control to Logic Pro, Nuendo, and other EUCON™-enabled DAWs
• Experience highly responsive, precision control with high-speed EUCON connectivity
• Control up to eight audio workstations simultaneously—even from across the facility
• Configure, scale and reconfigure the surface easily through the Ethernet network

Revolutionary modular design
S6 is built to grow with you at every stage of your business—now and in the future. With a first-of-its-kind modular design, you can customize the surface with the modules you need to match your current workflow for the greatest cost efficiency, and scale the surface—horizontally and vertically—as your business grows. Choose a pre-configured S6 M10 or S6 M40 surface with the options you need or, with S6 M40, customize the surface even further with different channel control combinations.

Mix smarter with superior ergonomics
S6 acts and feels like a physical extension of your software, providing a truly intuitive and immersive experience. Turn around projects faster with high precision editing and mixing control at your fingertips. Quickly access and edit plug-ins, surround panning, and more with the multipoint touchscreen. And see every detail of your mix with unprecedented visual feedback, including waveform scrolling.

Get intelligent studio control
Experience the deep DAW control that only Avid can deliver. Pair S6 with Pro Tools and you gain the Avid advantage of faster workflows, extended visual feedback, and unique features to accelerate your efficiency every step of the way. And extend your control to Logic Pro, Nuendo, and other EUCON™-enabled DAWs, enabling you to mix projects on multiple workstations simultaneously and switch out sessions in seconds—all from a single control surface.

Proven and trusted technology
S6 delivers incredible workflow acceleration, highly responsive handling and deep DAW integration—all built on proven technology, trusted by top audio professionals in the most demanding production environments. The result: you get the exceptional, dynamic performance you need to deliver your best sounding mix possible—on time, every time.

Avid S6—Build your own surface
Because S6 can be scaled both horizontally and vertically using an array of surface modules, you can configure it with the modules you need now to fit your budget, with room to expand as your needs grow. Choose one of the pre-configured systems or build your own. Here’s a look at the various modules and other hardware you can choose.

Master modules—The control surface engines
Master modules are the central hubs of your S6 surface. All surfaces must include a main engine, which provides touchscreen access and control, and you have a choice between two—S6 M40 or S6 M10. The S6 Automation Module complements both, providing controls for transport, automation and more. Here’s a closer look at these modules.
- M40 vs. M10 The engine you choose dictates the total number of modules you can include in your S6 and impacts its overall size and customizability. Choose the high-performance M40 for large-scale productions that require maximum channels, high-resolution metering screens, and customizability, or the more affordable M10 for productions that need to fit into smaller rooms and budgets. Both feature a tilting 12.1-inch multipoint touchscreen, eight adjacent rotary encoders, and dedicated knobs and keys for monitoring and global control, enabling you to view, access and edit different aspects of your mix—such as tracks, processing and metering—without mousing through menus.

- S6 Automation Module This master module is included in all pre-configured systems, but is an optional add when building your own S6 M40-based surface (though you’d probably want one). It features a full transport control section (including a shuttle/jog wheel), focus fader, automation control, color shortcut displays and switches, a numeric keypad, and more for writing automation and navigating projects.

Channel modules—The controls you want and need
Channel modules provide the control and feedback elements you need—from faders and knobs, to processing and metering. All modules feature reliable, high-speed Ethernet connectivity for easy set-up. Whether a pre-configured surface meets your needs or you want to mix and match modules in your own custom creation, here are the modules you can choose:
- S6 Fader Module
• Eight motorized faders
• Dual tri-color LED meters per channel (with gain reduction metering)
• Mute, solo, and other switches with color LEDs
• Control levels for eight simultaneous tracks

-S6 Knob Module
• 32 multicolor LED top-lit knobs (four per channel)
• 32 OLED displays for labels and visual feedback
• 11 function select switches per channel with color LEDs
• Works in conjunction with the Process Module
• Control up to 32 simultaneous encoder values; stack two Knob Modules (S6 M40-based surfaces only) to get up to nine knobs per channel

-S6 Process Module
• Eight multicolor LED top-lit knobs (one per channel)
• 22 function select switches per channel with color LEDs
• Eight OLED displays for labels and visual feedback
• Provides mode selectors for Knob Modules to control up to nine simultaneous encoder values

-S6 Display Module
• 8-channel high-resolution TFT display
• Integrated single board computer
• Available only with S6 M40 configurations
• Provides deep visual feedback, including channel names, audio meters, routing, groups, DAW affiliation, scrolling Pro Tools waveforms, and more

Frame components—For desk mixing or freestanding
All modules need to be housed in a frame, whether you place S6 on a studio desk or give it a leg assembly to stand on. Depending on the number of modules you choose, your surface can range from mid- to large-format. There are a number of frame assembly items available, from a full leg assembly to create a freestanding surface, to different size frame buckets and blank panels.

Surface options—Ergonomic extras to personalize your desk
Blank Panel—Cover empty module spaces with a smooth surface
Display VESA Arm—Mount your DAW monitor on the surface with an adjustable arm
Producer’s Desk—Integrate a keyboard and DAW display directly into your control surface
Sliding Keyboard Tray—Get hands-on with your computer keyboard wherever you’re sitting
Sliding Script Tray—Hold pen, paper and your personal devices within easy reach
Speaker Bridge Mount—Place speakers in an optimal position with the S6 frame

GC Pro: Let our experts help build the perfect Avid S6 for you
As a completely customizable system, each Avid S6 is comprised of components that you specify for your needs. GC Pro's expert staff has all the information to help you put together the ultimate custom control surface for today's recording environments. Contact us now to get more information, to set up a demo, or to buy your perfect S6 system.

Click here to contact GC Pro and buy now, or call us toll-free at 877-687-5404!