Showing posts with label recording studios. Show all posts
Showing posts with label recording studios. Show all posts

Wednesday, November 12, 2014

GC Pro Helps Engineer/Producer Mark Lienhart

The control room of the new space of One Louder Studio in Hamilton, Ohio, with gear sourced through GC Pro. Photo credit: Rudy Harris Photography

— The latest upgrade to Lienhart’s One Louder Studio features state-of-the-art Slate Pro Audio RAVEN MTX console and tons of other gear sourced through GC Pro —


WESTLAKE VILLAGE, CA, November 12, 2014 — Cincinnati’s One Louder Studio represents the fulfilled dreams of owner and engineer/producer Mark Lienhart. The studio has grown organically since its origins in its first location in Hamilton, Ohio, with Lienhart upgrading gear along the way, remodeling his space and finally moving to a larger permanent space, where he has achieved sonic nirvana with a workflow that results in the sound he’s always strived for but could never quite attain. “I always wondered how the major-label engineers got that last 10% or so of sound quality. I worked and worked, studying the science and art of recording, but I just couldn’t quite get there. As much as people say that the gear doesn’t matter, they’re wrong – the gear is that last 10%! Nothing I did would make the sound perfect until I found the gear that complemented what I was doing.” And this gear has been assembled in Lienhart’s new space thanks to a close relationship with Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users – specifically with GC Pro Sales rep Jim Kinney, who has worked with Lienhart at every step of the way in outfitting the new facility.

Lienhart’s tenure as a studio owner has humble beginnings – a few mics and an interface, purchased at the grand re-opening of Cincinnati’s Guitar Center in 2007 or so. As he recorded more and more in his band’s rehearsal space, he started to get calls from other acts in the area. Word was spreading, and the records were getting better and better. Before long, Lienhart and his wife made the decision to take the studio to the next level. After moving to a space near the University of Cincinnati, he made a significant upgrade to his setup, working with Kinney to set the facility apart from other mid-sized studios in the area. But the biggest shift was yet to come – moving into and outfitting yet another space, his current one. It’s been an inarguably fast rise, and GC Pro has been his number-one resource for the right gear and service.

The centerpiece of the new facility, in operation since June 2014, is the Slate Pro Audio RAVEN MTX console, an acclaimed, state-of-the-art multi-touch touchscreen interface. “We were considering several great options for consoles, but Jim was wise enough to take the conversation in another direction – ‘Have you ever considered the RAVEN?’ – and he set up a demo for me at GC Pro’s Hollywood showroom with some sessions I had tracked. I got behind that console, and it was absolutely the most intuitive way to mix. I immediately understood how it worked. The tactile response is extraordinary. I was able to edit and mix right there at the demo session. Saying that I was sold on the idea right away is an understatement. It was a revelation.” Kinney and Lienhart interfaced the RAVEN MTX, running Pro Tools HDX, with a custom analog board that they designed themselves with all of Lienhart’s favorite outboard gear – pre-amps, EQs, compressors and the like. Lienhart adds, “We created a setup that blends analog outboard gear, Pro Tools and the RAVEN MTX interface. I have so many flavors to choose from, and all these elements work together marvelously.” The setup is complemented by Genelec 8050 Active Monitors, also sourced through GC Pro, and the classic Yamaha NS10’s, which Lienhart acquired from a retiring prominent voice actress who had used them for years in her home recording space – but uniquely, never for music.

A final touch was acoustical treatment. Lienhart recalls, “Jim arranged for Jay Porter from Radial and Prime Acoustics to do a 3D rendering of the room, based on the architects drawings and our specs, and he recommended several pieces of Prime Acoustics treatment, strategically placed in just the right spots. It was the perfect solution for controlling the sound in the control room and the tracking room.”

Lienhart is thrilled with the results: “The undertaking of rebuilding my studio and workflow from the ground up was hard work, but the records we’re making now – the sound is incredible. I listen to them and literally can’t believe we made that happen at our facility. I definitely could not have done it without the help of Jim and GC Pro, because at every turn, if I had a question, Jim had the answer, or knew how to get it. The last high-profile client I had, he got choked up and said that we brought to life the sound in his head, which is the biggest compliment you can get as an engineer or producer.”

For more information, please visit www.gcpro.com.

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About Guitar Center Professional/Guitar Center
Founded in 2001, Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

Thursday, August 15, 2013

Introducing the Avid S3L System


CALL 877-687-5404 NOW FOR MORE INFORMATION AND TO PLACE YOUR S3L ORDER!

Get the performance, sound quality, and features that countless live sound professionals have come to rely on in a system architecture that’s built for the future. Available now at GC Pro, the modular S3L System is comprised of a high-performance HDX-powered processing engine running AAX plug-ins, scalable remote I/O that can live on stage or in a rack, award-winning VENUE and Pro Tools® software, and a head-turning compact control surface that’s built for the road, but equally at home in the studio. A fault-tolerant Gigabit Ethernet network connects all devices and uses the open Ethernet AVB and EUCON™ standards for maximum performance and flexibility.

For unmatched Pro Tools integration, simply connect your laptop (with Pro Tools or other DAW installed) to the system’s Ethernet AVB network (using a single Cat5e cable) for up to 64 tracks of audio recording/playback. VENUE Link makes it easy to control your live mixing and recording/playback setups as one. What’s more, with EUCON functionality coming soon, you’ll be able to use the control surface to mix Pro Tools and other DAW sessions, making the system the ultimate solution for both stage and studio. Your GC Pro representative will be glad to answer any S3L questions you may have... contact us at 877-687-5404!

Feature highlights
• Experience uncompromising performance with HDX-powered processing
• Re-create the sound of the studio with integrated Pro Tools AAX plug-ins
• Configure the modular system with up to 64 mic pres
• Get reliable Ethernet AVB connectivity, without the cable bulk
• Record directly to Pro Tools (or other DAW) through your laptop’s Ethernet port
• Control Pro Tools and other DAWs using the S3 control surface as a EUCON controller (feature coming soon)
• Fit the system anywhere and transport with ease—perfect for fly gigs and bus tours
• Get the celebrated hallmarks of Avid live sound systems
• Take your VENUE show files with you on a USB key for use on any Avid live system

The S3L System Includes:

• S3 control surface:
- Compact 16-fader surface, with six bankable layers
- 32 touch-sensitive encoders and high-resolution OLEDs
- Multicolor Channel Control parameter section for fast mix adjustments
- Full complement of I/O (see Specifications)
- Dual Gigabit Ethernet AVB ports, featuring latching etherCON connectors
- EUCON-enabled for Pro Tools and other DAW control (feature coming soon)
- USB connections for a keyboard and mouse (not included)

• E3 engine
- Runs VENUE software, mission control for the entire system
- High-performance, HDX-powered processing engine (supports AAX DSP plug-ins)
- 24 aux busses, LCR, plus 8 mono matrixes and 8 VCAs
- 2-track recording/playback using standard USB Flash drives
- Local and ancillary I/O (see Specifications)
- Three Gigabit Ethernet AVB ports, featuring latching etherCON connectors
- Separate Ethernet port for remote control using a laptop or tablet

• Stage 16 remote I/O box
- 16 analog inputs (XLR) with remote mic preamp control
- 8 analog line outputs (XLR)
- 4 channels of AES3 digital output
- Ruggedized design with dual-purpose rack ears/handles for use as a stage box or rack-mounted
- Power and status LEDs, with device Identify feature
- Sliding Mute switch silences all box outputs
- Two Gigabit Ethernet AVB ports, featuring latching etherCON connectors

• VENUE software

• Pro Tools software

• Plug-in bundle

• Cables, accessories, and guides

GC Pro is your source for the new Avid S3L System! Our account managers and sales staff are fully trained in S3L technology and implementation, and can arrange for a demo at your convenience. Call us at 877-687-5404, or click here to find your local GC Pro representative!

Tuesday, May 21, 2013

2013 Recording Industry Golf Tournament


GC Pro is a proud sponsor of the 2013 Recording Industry Golf Tournament™, and you're invited to tee it up with us at this terrific charitable event!

Come join Honorary Chairs and engineers extraordinaire Ed Cherney and Al Schmitt for a day in the sun at the 2013 Recording Industry Golf Tournament, June 24, at the beautiful Malibu Golf Club! This Best Ball charity tournament has a noon shotgun start. Enjoy on-course contests and games, including a $1,000,000 Shoot-Out. You'll also mingle with the icons of the Los Angeles community of recording engineers, producers, studio management, musicians, and more.

Proceeds will directly benefit the music and recording program at A Place Called Home (www.apch.org). APCH is a dynamic community center and safe haven in South Central Los Angeles. Music and recording are key components of the organization’s program offering, and the APCH youth band performs and records on a regular basis.

For more information, click here. To sponsor the tournament or sign up your foursome, click here. We'll see you in June at Malibu Golf Club! Fore!

Wednesday, October 17, 2012

New State-of-the-Art Space at Hollywood Location

The control room at GC Pro’s new custom recording/listening demo facility at the Hollywood Guitar Center location on Sunset Boulevard, which also houses GC Pro’s home offices.

— New facility features a Neve Genesys console, Ocean Way monitors and more —

WESTLAKE VILLAGE, CA, October 11, 2012 — Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, announces that it has opened a new custom recording/listening demo facility at the Hollywood Guitar Center location on Sunset Boulevard, which also houses GC Pro’s home offices. Open to the public, GC Pro affiliate partners and manufacturers alike, the facility is equipped with some of the most sought-after gear from GC Pro’s extensive inventory, including a Neve Genesys console and custom Ocean Way monitors tuned by creator Allen Sides himself – both products distributed in the U.S. exclusively by GC Pro. Additionally, the facility features studio monitors from companies like Genelec, ADAM, Focal and others – all high-end monitoring options – along with custom-designed photo-embedded acoustic treatment from Auralex (who also worked with GC Pro to tune the room), and racks and racks of outboard gear both vintage and new. The sound quality in the room is superb, and the gear provides the full range of options for today’s producer, engineer, artist or musician. This state-of-the-art recording/listening studio also features a signature look different from any other facility in the GC Pro organization.

“This new facility opens up a number of opportunities for GC Pro, for both demonstrating music and recording it,” stated GC Pro Vice President Rick Plushner. “The Hollywood location also houses our custom-built live sound stage, which is used to tape our acclaimed GC Sessions video series, and with the addition of the recording room, a fully-integrated facility is emerging – bridging the worlds of live sound, recording and AV production. The patch bays have been fully customized, designed by the Malvicino Design Group (one of our GC Pro Affiliates), and we can now fully track GC Sessions performances and other events, with the full arsenal of modern studio wizardry at our fingertips, including editing, effects and overdubs. We are raising the bar for what we can accomplish production-wise, and we will be passing that content onto the audio community at large.”


Other different kinds of programs based on the room are in the works, to further expand GC Pro’s reach and offer enrichment sessions/classes for the audio community. Manufacturer/vendors will be invited to participate in demonstrations, providing expert perspective – presentations that will be taped and posted on GC Pro’s website.

Allen Sides, GRAMMY® Award-winning engineer, producer and mixer who founded Ocean Way Recording, stated, “It’s great to have a room where you can actually hear what gear sounds like. We were excited to be involved with the acoustics and design of this great space, and to also provide a set of our new Ocean Way AS1 monitors. Critical listening is the only way to judge what gear sounds like, and in most retail environments you haven’t a clue until you get it home. This is a wonderful addition to GC Pro Hollywood.”

David Fischer, CEO of Auralex, added, “We are thrilled to have been chosen as the acoustical treatment of choice for GC Pro’s new high-tech facility. This state-of-the-art facility is an exciting development for GC Pro, and our involvement continues to strengthen the long-term relationship between Auralex and GC Pro.”

Horacio Malvicino of the Malvicino Design Group noted, “Installation of the new audio demo room at GC Pro was handled with the same approach we take with a regular studio installation. The console is fully wired to a total of four Audio Accessories TT 96 point patch bays, which allow access to all of the console features. We also added a sixteen-tie line panel in the control room to allow for quick interface of external gear, as well as a sixteen-input mic panel with Ethercon ports to interface a multi fold-back system.”

For more information, please visit www.gcpro.com.

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About Guitar Center Professional/Guitar Center
Founded in 2001, Guitar Center Professional is the outside sales division of Guitar Center that focuses on the needs of professional users. Its clientele includes recording studios, audio engineers, producers, recording and touring musicians, live sound venues, post production facilities and more. Emphasizing extraordinary individualized service via local account managers, GC Pro offers expert consultation and a comprehensive selection of the world’s finest equipment for music and audio professionals. More information on GC Pro can be found by visiting www.gcpro.com.

Thursday, February 9, 2012

GC Pro's Pick Hits of NAMM 2012

Many of us at GC Pro are long-term veterans of the NAMM Show, and every year, we sift through literally hundreds of new products to see what will be the best solutions for our customers. The 2012 NAMM Show was one of the best in recent memory in terms of the vibrancy of the pro audio industry, as well as the smart thinking behind many of the new product introductions.

Here are some of our picks for the hottest products at NAMM 2012! As always, for more information on these or many other brands, your GC Pro representative is happy to give you more details, or to arrange for a demo. Contact us now!

Universal Audio Apollo


Universal Audio is a brand that is legendary in our industry, and has been a long favorite for GC Pro to recommend to our most discerning customers. If there was one pro audio product that got everyone talking at NAMM 2012, it was their new Apollo high-resolution audio interface with realtime UAD processing. It’s a 24-bit/192kHz interface between your music and your Mac or PC, and offers a true “no compromise” approach to audio quality. The Apollo has premium mic preamps and top-end converters, but that’s just the start. Available with either DUO Core or QUAD Core processing onboard, its onboard DSP acceleration allows for recording and mixing through UAD Powered Plug-Ins — with as low as sub-2ms latency — so that producers can quickly monitor, audition, and “print” audio using classic analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more. As if that weren’t enough, Apollo offers compatibility with Intel’s new Thunderbolt technology, as found on the newest iMacs, MacBook Pros, MacBook Airs, and next-generation PCs. It seems like the UA Apollo is exactly what many commercial and project studios have been waiting for. Contact GC Pro to arrange for a demo!



sE Electronics sE2200a II Mic

While many great microphone come with a great big price tag, we saw at least one new mic at NAMM that was both impressive and affordable. As the latest rendition of sE’s 2200 series, the 2200a II adds multi-pattern functionality (cardioid, figure 8, and omni are selectable). Like its predecessor, the sE2200a II uses a hand-crafted, 1" gold sputtered diaphragm. The mic also has a new look, with a black rubber paint finish which is both stylish and practical, helping to damp chassis resonance which many other low-cost mics suffer from. Studios of all kinds will benefit from adding one of these to their mic locker... and at this price, why not get two and have a stereo pair?


Arturia MiniBrute


Just... wow. While the abilities to emulate the sought-after sound of analog synthesizers with digital synths and plug-ins has been done very well over the years, nothing compares to the brute force of the real thing. Enter the Arturia MiniBrute, a little keyboard with a sound so huge, it might actually scare you (and was a huge hit at NAMM, as you’d imagine). It offers a pure analog signal path and a host of unique features, like a a VCO wave mixer, the classic Steiner-Parker multimode filter, as well as numerous analog innovations. But unlike analog synths of yesteryear, the MiniBrute also offers complete MIDI, CV and USB connectivity. Whether you need a small synthesizer to sit next to your computer keyboard, or an analog beast to go on a stand with your bigger synths, Arturia’s MiniBrute has a cool factor that can’t be beat.


Moog The Ladder

For those of us lucky enough to have spent quality time with a Moog analog synth, we’re already aware of how powerful the onboard filtering is... it’s an essential aspect of the classic Moog sound! Well, with Moog’s The Ladder, you can take that classic filtering and add it to your 500 Series rack! Introduced at NAMM as the first 500 Series module from Moog, the Ladder is a powerful and fantastic sound sculpting tool that allows for creative and unique sound shifting and shaping. All analog Low Pass and High Pass filter... Cutoff knob to add vibe, warmth or tonal adjustment... variable Attack and Release controls... Resonance... even hard wire bypass! No matter what signal you run through the Ladder, you get amazing creative control. We love it.


Casio XW-P1

At NAMM, we found ourselves a bit surprised at a cool and affordable keyboard from an old and trusted name in synthesizers: Casio! It’s an excellent performance synthesizer for gigging musicians, but also a great choice for churches, studios, and songwriting rooms. First, the XW-P1 has an onboard library of all the sounds you’ll need for most occasions. Second, you get control with tools like a full drawbar section for dialing in the perfect organ sounds. Third, it has an onboard step sequencer and programmable arpeggiator. This is a serious performance keyboard that’s way more affordable than you’d think based on its abilities. We give it two thumbs-up for both features and value.


Presonus Qmix

One product category that really jumped out at NAMM 2012 was a batch of new software apps built to integrate Apple iOS devices with audio products. The one that really blew us away was PreSonus QMix software. This free app allows up to ten musicians to simultaneously control their StudioLive monitor mixes with their iPhone or iPod touch. The mobile devices network wirelessly with a Mac or PC, enabling QMix to remote-control Presonus’ Virtual StudioLive software, which in turn controls one or more FireWire-connected StudioLive mixers. In other words, it’s a personal monitoring system you can run from your iPhone. Crazy! Want more kick drum in your personal mix? Dial it in. More keyboard? Dial it in. More you? Crank it up from your own position onstage. How great is that?


TC-Helicon VoiceLive Play GTX


When we GC Pro people were young rock-and-rollers, it was a difficult task to get great vocal and guitar effects at the same time without a lot of help from our friends (or our techs, when we had them). Today, with new tools like the TC-Helicon Introduces VoiceLive Play GTX, singing guitarists’ lives just got easier than ever before. The footpedal had our jaws dropping at NAMM. It starts with pro-quality TC-Helicon effects and state-of-the-art harmony processing, but that’s just half the story. It’s also packed with top-of-the-line guitar effects from TC Electronic. The end result is having a dedicated vocal producer and an experienced guitar tech sitting next to you at your gig! There are more than 200 amazing presets, covering both vocal and guitar effects, which can be browsed either by genre or effect type. But it doesn’t end there; you can download more presets every month online. The guitar effects run the gamut from pristine acoustic to raucous, distorted guitar tones and lots in between. TC Electronic reverbs, delays, modulation as well as distortion effects, putting the guitar in the zone for full vocal, guitar and looping production all in one footpedal. VoiceLive Play GTX even accepts input from MP3 players and computers via an AUX In connector or USB. Its other great functions include a Vocal Cancel feature that reduces the lead vocal level in a recording, so users can put themselves directly in their favorite artist’s shoes. Finally, VoiceLive Play GTX can even listen to the recording and generate harmonies based on the chord progressions in the track. It can loop both voice and guitar, has built in RoomSense microphones that can listen to music nearby, automatically determining which key to set for Harmony and HardTune effects. Seriously, this will take your guitar/vocal performance into a level you never dreamed possible.


Sennheiser XS Wireless Series

If you thought having a wireless microphone system in your live sound facility or house or worship was too expensive or too hard to setup, you’ll be happy to know that Sennheiser introduced their new XS Series that solves both of those problems. Sennheiser has put together specific packages for presentations (XSW 12), for vocals (XSW 35 and XSW 65 ), for instruments (XSW 72), or for headset miking (XSW 52). These all-in-one packages include the high-quality Sennheiser components you need for every live sound miking application from churches to clubs to conference rooms and more. Setting up the XS Wireless systems couldn’t be easier... they automatically search for their available frequencies with a single touch.


Remember, your local GC Pro representative can give you more information on any of the new items from NAMM 2012, or whatever you've been wanting to get into your recording or live sound system. We have over 60 account managers and sales reps across the USA who can answer your questions or even arrange for on-site demos... contact us today!